Raymond St. Jacques (𝐛𝐨𝐫𝐧 James Arthur Johnson; March 1, 1930 – August 27, 1990) was an American actor, director and producer whose career spanned over thirty years on stage, film and television. St. Jacques is noted as the first African-American actor to appear in a regular role on a Western series. He portrayed Simon Blake on the eighth season of Rawhide (1965–1966).

St. Jacques’s first professional acting role was in the off-Broadway play High Name Today. St. Jacques was cast in the role of “Judge” in the off-Broadway performance of Jean Genet’s play The Blacks at St. Mark’s Playhouse in 1960.

After appearing in bit parts on television in the early 1960s, St. Jacques made his film debut in a small part in the 1964 film Black Like Me.[4] He followed with a role in The Pawnbroker later that year. He appeared in supporting roles in The Comedians (1967) and The Green Berets (1968).

St. Jacques’s best-known film roles were that of Coffin Ed in the blaxploitation classics Cotton Comes to Harlem (1970) (adapted from crime novels by Chester Himes) and Come Back, Charleston Blue (1972). In the early 1970s, St. Jacques began teaching fencing and acting at the Mafundi Institute in Watts, Los Angeles. In 1973, he produced, directed, and starred in the crime film Book of Numbers.

St. Jacques (right) with John Ireland in Rawhide, 1965

During the 1960s, St. Jacques also guest starred on numerous television shows including East Side/West Side, Daktari, The Virginian, and The Man from U.N.C.L.E.. In 1965, he was cast as “Simon Blake” in the Western series Rawhide, the first African-American actor to be cast as a regular on a prime time Western series.

Throughout the 1960s and 1970s, St. Jacques continued with roles on stage, film and television. He became known as “The Man of a Thousand Faces” due to the varied parts he played throughout his career. In 1976, St. Jacques starred as Othello in the John Anson Ford Amphitheatre production of the play of the same name. He remained active in stage work throughout his career, touring in productions of Julius Caesar, Romeo and Juliet, A Raisin in the Sun, and the stage adaptation of The Man with the Golden Arm.

From 1988 to 1989, St. Jacques had a two-year stint as Judge Clayton C. Thomas on the syndicated TV show Superior Court. In 1989, he played abolitionist Frederick Douglass in Edward Zwick’s film Glory. His final film role was in the 1991 science fiction film Timebomb, released after his death.

Sterling appeared in St. Jacques’s 1973 film Book of Numbers. In the mid to late 1970s, he became known as a high fashion model. He was briefly engaged to fashion model Pat Cleveland. He also worked as a dancer and as a frequent figure in New York City nightclubs and society life. In her 2016 memoir Walking with Muses, Cleveland said that their engagement ended because Sterling was gay. According to Cleveland’s memoir, Sterling St Jacques died of complications of AIDS in 1984. (His death has never been officially confirmed.)

In a 1988 interview with the Chicago Tribune, St. Jacques still said he had two sons and that Sterling was appearing on a television show in Düsseldorf.

St. Jacques frequently spoke of the prejudices he and other African-American actors faced and difficulties in getting roles as non-stereotypical, thoughtful characters. He later worked to help African Americans find work behind the camera. In 1977, he publicly criticized the lack of minority actors in Star Wars (which he said he saw five times) and other science fiction films.